Art Of Darkness A History (Book)
SKU: 36688905346

Art Of Darkness A History (Book)

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Art Of Darkness A History (Book)Finally, after a decade of work, countless interviews and immersing himself into the culture, John Robb's definitive book is a journey far into The Art Of Darkness. The first in depth book on Goth is a deep dive into the enduring culture and the social, historical and political backdrop that created the space for The Art Of Darkness to thrive. 680 pages with interviews with the likes of Andrew Eldritch, Killing Joke, Bauhaus, The Cult, The Banshees,

Finally, after a decade of work, countless interviews and immersing himself into the culture, John Robb's definitive book is a journey far into The Art Of Darkness. The first in-depth book on Goth is a deep dive into the enduring culture and the social, historical and political backdrop that created the space for The Art Of Darkness to thrive. 680 pages with interviews with the likes of Andrew Eldritch, Killing Joke, Bauhaus, The Cult, The Banshees, The Damned, Einsturzende Neubauten, Danielle Dax, Johnny Marr, Trent Reznor, Adam Ant, Laibach, The Cure, Nick Cave and many others, this is a deep dive and walk on the dark side and into the very heartland of Goth.

Every generation has got to deal with the blues - embrace the melancholy. Find a beauty in the darkness, a poetry in sex and death...Whether it’s the Roman love of ghost stories, European macabre folk tales of the Middle Ages, Romantic poets, or the original Gothic tribes sacking the Eternal City, a walk on the dark side has always had its attractions. In the post-punk period, Generation Xerox saw music, clothes and culture come together to create one of the most enduring pop cultures of them all that still resonates to this day.. Goth.

It may have been a retrospective term for a scene that was already thriving, but its back story goes back millennia. The book starts with the fall of Rome and ends with Instagram and Tik Tok influencers, taking diversions through Lord Byron, European folk tales, Indian sadhus, Gothic architecture, Romantic poets, philosophers and idealists before coalescing through the dark end of the Sixties’ youthquake, and then blooming like Baudelaire’s Les Fleurs Du Mal in the post-punk period.

Defying the broken heartland of the post-industrial cities, the semi-forgotten satellite towns and the grim real politic of the Thatcher years, this was a post-punk culture full of dark dance and a death disco. The music soundtracked the style and a Stygian obsidian soundtrack fused the many fragments of culture that had been flirted with in the post-war pop narrative; a darker culture that began to coalesce around the holy trinity of the Doors, the Velvets and the Stooges in the late Sixties before flirting with glam rock, being amplified by punk, exploding as Goth, and then splintering into electronic dance music, industrial, psychobilly and new Goth, before finally filtering through dystopian Hollywood blockbusters, modern literature and throughout the modern world.

In the late Seventies, Goth culture emerged around a clutch of bands who found a new form of beauty in the apocalyptic foreboding, as a new youth tribe took glam rock from the catwalk to the cobbles and onto their own dance floors, creating their own art of darkness.

680 pages - paperback version

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I picked up the Klipsch R‑40M as part of a full 5.1 system built around the R‑50M fronts and the R‑50C center. My original plan was to use another pair of R‑50M speakers in the back, but they simply didn’t fit in the rear cabinet space I have. The R‑40M ended up being the only model that fit comfortably, so they became my surround channels. In terms of build quality, they feel solid and consistent with the rest of the Reference Next‑Gen line. The copper woofers and updated horn design give them the same visual identity as the larger models, which helps the whole system look cohesive. They’re compact enough to place in tighter spaces without compromising too much on performance. Sonically, the R‑40M does a respectable job as a surround speaker. Effects are clear, directional cues are easy to follow, and they integrate smoothly with the more powerful R‑50M fronts. That said, they are noticeably less powerful than the R‑50M, so you need to spend a little time balancing your levels. Once I bumped their channel trim a bit and adjusted the distance settings, the rear soundstage locked in nicely and felt much more even. They won’t deliver the same fullness or dynamic punch as the larger models, but for rear channels that’s usually not a deal breaker. What matters is clarity and consistency, and the R‑40M handles both well. Movies with active surround mixes feel immersive, and ambient effects wrap around the room without calling attention to the speakers themselves. If you’re building a system where space is limited in the back, the R‑40M is a practical and capable choice. Just be prepared to fine tune your calibration so they match the output of the bigger speakers up front. Once dialed in, they round out a 5.1 setup very effectively.
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